Peter Gabriel's appearance began to (literally) blossom during the summer prior to this album's release. After he debuted his partially shaven head at the Lincoln Festival in May, the costumes weren't far behind. His between song chatter—ostensibly done to allow time for the band to tune up—was as cryptic and incredible as his lyrics; and indeed, Foxtrot gave him the material to back it up.

Nektar was a group of British expatriates that, like many bands during the mid-60s, made a living by working and touring in Europe. Initially, bassist Derek "Mo" Moore, drummer Ron Howden and keyboardist Allan "Taff" Freeman formed a band called Prophesy. By 1969, with guitarist and vocalist Roye Albrighton on board, the band changed their name to Nektar. They made Hamburg their base, and signed to Peter Hauke's Bacillus label.

Bo Hansson spent the early 60s as a member of The Merrymen in his native Sweden. The band, which also included harmonica player Bill Öhrström, opened for one of The Rolling Stones' Scandinavian tours and recorded one album with US singer Boz Scaggs. Switching to the organ, Hansson formed a relatively well-known duo with drummer Rune Karlsson, eventually releasing three albums in Sweden as Hansson-Karlsson. They were even friendly with Jimi Hendrix, having jammed with him when they opened for the Experience in 1966.

Not all progressive rock dealt with sci-fi fantasy, silver capes and airbrushed art; Family was proof positive of that. Their music lacked the overt virtuosity and accompanying pretentiousness of most prog rock music, but still contained more sophistication than most rock of the day. The previous year had been one of transition for the band. Released in March 1971, the compilation Old Songs New Songs contained remixes of songs from their prior albums, as the band had been unhappy with the originals. A new single "In My Own Time" b/w "Seasons" peaked on the UK charts at No.

For their third album, Gentle Giant made their first foray into the realm of the concept album; and, as such, it's one of the band's most cohesive and satisfying records. As the title suggests, Three Friends does indeed revolve around the lives of three childhood friends. All of the Giant's cleverness that one may have "acquired a taste" for on previous records is present here; yet more direct and rock steady, the six compositions reflect a bluesy, if not ballsy, performance.

Recorded during late 1971 and early 1972 between tours of the US and UK, Trilogy marks the third studio album from the trio of Emerson, Lake & Palmer. The album opens with one of their greatest compositions, "The Endless Enigma." Anchored by Greg Lake's bass, the fantastic interplay between Keith Emerson's blaring Hammond organ and Carl Palmer's spry drum work is economical, but also crisp and precise. Lake's lyrics are succinct and his double-tracked vocal delivery right on the mark.

This double-album offers a chronological retrospective of Jethro Tull's career to date, compiling non-album singles and recordings from 1968-1971. However, with only four tracks from the previous studio albums, many (myself included) consider it an album of nearly all-new material. So given the bulky proposition of Thick As A Brick, released earlier in the year, many also found Living In The Past much easier to digest. In fact, the album did break into the Top 10 on both sides of the Atlantic.

Roxy Music was a pop experiment that, among other things, provided a fertile spawning ground for many progressive musicians. John Wetton, Eddie Jobson and John Gustafson, in addition to longtime members Andy Mackay and Phil Manzanera, all played in the band. But Bryan Ferry and Brian Eno were the dominant characters of Roxy Music, and their clashes would eventually lead to Eno's exit after their second album. With all this talent though, the band would prove to be an influential force for years to come. But let's not get ahead of ourselves.

Aphrodite's Child was a Greek singles group that had some success in the UK; but more importantly, they spawned two of Greece's greatest musical exports, singer Demis Roussos and composer/performer Vangelis Papathanassiou. By the time their seminal 666 (The Apocalypse of John, 13/18) was released, the beat era and any pop legacy were all behind them. Based on the Book of Revelation, the double-album was recorded in Paris, from late 1970 to early 1972.